I decided to build up the soft and subtle greys of the abandonded wall with colour. I thought of the colour as almost a symbol for the life and personality of my space- and how it could bring warmth to the place. At the same time I didn't want to lose the soft quality of the monoprints so far...
I then decided to explore the idea of adding more of a structure to the prints by doing a quite geometric line drawing in drypoint. I printed this over a few of the prints, but I think the dark and quite structured quality of the drypoint was a bit too strong for the prints and took away from them a bit.
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